A Cast of Blues
Blues music was born in Mississippi, came of age in Chicago, and went on to inspire generations of rock and rollers, ranging from the British invasion of The Beatles and The Rolling Stones to contemporary groups, such as The Black Keys. As one of America’s contributions to the world of music, the blues took root in the fertile soil of the Mississippi Delta, a flood plain covering 7,000 square miles between the Mississippi and Yazoo rivers. Early blues greats in the Delta pioneered the strong rhythmic style of music, accenting the raw emotions of the lyrics by squeezing chords out of a guitar with a bottleneck or metal slide.
A celebration of Mississippi’s rich musical heritage, The exhibition A Cast of Blues features 15 resin-cast masks of blues legends created by artist Sharon McConnell-Dickerson, as well as 15 color photographs of performers and of juke joints by acclaimed photographer Ken Murphy. Now visitors to McKinney Performing Arts Center can experience the exhibition,
A Cast of Blues artist Sharon McConnell-Dickerson has said, “a life cast is like a 3-D photograph to someone who is blind.” McConnell-Dickerson, who is visually impaired, continues, “It captures the flesh, muscle, bone, hair, and subtle expressions of emotion. I wanted to discover the faces behind the music I love, so I went to Mississippi to map out the visages of the real Delta blues men and women.”
Ken Murphy’s photographs are selected from the groundbreaking book Mississippi: State of Blues (published 2010 by Proteus/Ken Murphy Publishing). A longtime Mississippi resident, Murphy captures the essence of the blues through highly detailed, panoramic color pictures. The exhibition’s compilation of casts and photos create a compelling portrait of the men and women who defined—and continue to shape—the tradition of Mississippi blues.
During the 1920s and 1930s, Charlie Patton, Son House, Robert Johnson, and scores of other bluesmen and women barnstormed across the Delta, playing plantations, juke joints, and levee camps scattered throughout the area. It was the next generation of Mississippi music artists led by Willie Dixon, Muddy Waters, and Howlin’ Wolf, who brought the Delta blues north to Chicago. The Rolling Stones, Led Zeppelin, and other rock and rollers picked up on the Delta sound and introduced it to the world. The musicians who stayed behind in Mississippi kept the tradition alive, passing it from one generation to another. Since the 1990s, Delta blues music has undergone a revival, with the rediscovery of overlooked artists—R.L. Burnside, T Model Ford, and Bobby Rush—and the rise of contemporary blues acts like the North Mississippi Allstars and the Homemade Jamz Blues Band.
After losing his sight in 2001, John Bramblitt has become the world's number one blind painter (TopTenz) leading the way for adaptive techniques to create art for people of all abilitiesand disabilities. Bramblitt is an award winning artist and author including three presidential service awards in recognition for his innovative art workshops, the Barbara Jordan Media Award for his book "Shouting in the Dark", and Most Inspirational Video on YouTube Award.
John's work has been sold in over thirty countries all over the world and featured in hundreds of stories on TV, Radio and newspapers including: The New York Times, The Washington Post, BBC, Discovery Channel, CNN (where he has also been asked to be an expert consultant). His art has been in various films as well as magazine covers. Several award winning documentary shorts have also been made about Bramblitt's life including the current one still touring film festivals entitled, 'John.'
John creates his paintings by allowing his hands to become his eyes by using modern Orientation and Mobility techniques developed for the blind combined with composition and painting theories that have been around for centuries. John textures his paint making each color feel differently, and draws using paint that leaves a subtle raised line that can be felt making each brushstroke a landmark for where he is on the canvas.
The exhibition is fully accessible to all visitors, featuring braille labels and educational materials, as well as a music playlist for gallery use and a closed-captioned film about the Cast of Blues project. In addition, visitors are encouraged to touch the resin-cast masks. Says McConnell-Dickerson, “As a sculptural and visual art experience, feeling the life-made casts of these individuals and their facial expressions transfers their experiences directly to our fingertips.” The exhibition is also accompanied by the 2008 documentary film, M for Mississippi: A Roadtrip through the Birthplace of the Blues (94 minutes).
Organized and toured by ExhibitsUSA, a national part of Mid-America Arts Alliance, the exhibition was curated by Chuck Haddix, music historian, author, radio personality, and director of the Marr Sound Archives at the University of Missouri-Kansas City. ExhibitsUSA sends more than 25 exhibitions on tour to more than 100 small- and mid-sized communities every year. Based in Kansas City, Missouri, Mid-America is the oldest nonprofit regional arts organization in the United States. More information is available at www.maaa.org and www.eusa.org.